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The production is appropriately scrappy, and it seems relatively safe to assume that the album was recorded live with one microphone-- accordingly, we hear the scratch of fingernails on string and, on occasion, the chirping of birds in the background , made privy to each tiny exhalation and sigh. Matsson is an adept fingerpicker, and his guitar is easily as central as his voice, which is high, crackling, and rich.
The poems in this collection, for the most part, result from nightmares that continue to plague me, for I am a coward at heart. I still fear the dark, hear noises in the.
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Much like Dylan himself, Matsson has mined the American south for inspiration, and his frantic strumming and front-porch poetry recall everyone from the Carter Family to Lead Belly to, most noticeably, country bluesman Mississippi John Hurt. Matsson's lyrics don't stand up as well on paper as they do in song some have all the logic of fairy tales , but each of these cuts has a distinct, if muddled, narrative-- sparrows, tranquilizer guns, curtains, unicorns.
I still fear the dark, hear noises in the night, run from shadows, or simply hide under the covers, hoping that someone will save me, or that the light will return and dispel the creatures lurking in my night. This collection is best read with the lights on bright, unless one is of sterner stuff than the author. Many of the poems commemorate one of my favorite holidays, Halloween, a celebration of all the things that scare us; other poems recognize the wonder of nature and its incredible creatures, and how pleasant it is to sit and contemplate them, while others emanate from observation of people and events.